Suno Rave prompt
Rave in Suno lives at 130–160 BPM, usually around 140. Below is a Styles prompt that passes our Styles checker, the Exclude list that stops v6 drifting toward trap hi-hats, acoustic guitar strumming, rock drums, a 3:12 arrangement in bars and the cued lyric headers. Copy it, change the mood and the parts you hear differently, paste.
Styles
rave, 140 BPM, euphoric. Early-90s warehouse rave, sampler grit. Chopped, pitched, rhythmically sliced vocal phrases used as an instrument. Hoover synth stabs, chopped breakbeat over a hard kick, pitched-up diva vocal sample, piano rave stabs, a deep sub drop; siren and air-horn fx. Arrangement: intro 8 bars, verse 16 bars, build 8 bars, drop 16 bars, breakdown 32 bars, build 8 bars, drop 2 16 bars, outro 8 bars. Kick and rolling bass locked and mono, supersaws and pads very wide in a long hall, vocal in front with long delay throws, the breakdown pads filling the stereo field, snare rolls riding up the center. Ends on the outro's last downbeat.
Exclude styles
trap hi-hats, acoustic guitar strumming, rock drums, 808 bass, country twang, lo-fi tape hiss
Lead tag: open Styles with rave, word for word. It’s the wording Suno’s own tags use, so it carries more weight than a description.
Vocal: vocal chops by default. Variety at 0 keeps Suno from rewriting the prompt on a final take.
What makes it Rave
Name the parts, not the vibe.
Suno plays what you name. “Rave vibes” gets you its idea of the average rave track; the parts below are what make the genre itself, so they go in the prompt as instructions to the band.
- hoover synth stabs
- chopped breakbeat over a hard kick
- pitched-up diva vocal sample
- piano rave stabs
- a deep sub drop
Production colour: early-90s warehouse rave, sampler grit. One phrase like this sets the era better than a list of adjectives.
Why the Exclude list matters. v6 leans toward pop and toward whatever the neighbouring genres share. For rave that means trap hi-hats, acoustic guitar strumming and rock drums creeping in. Put those in Exclude, never as “no …” in Styles: a negative in Styles names the thing and often adds it.
Mix placement beats quality words: “kick and rolling bass locked and mono” tells Suno where things sit. “Radio-ready” or “professional” tells it nothing.
Song structure
A 3:12 radio edit at 140 BPM.
| Section | Bars | Starts | What plays |
|---|---|---|---|
| Intro | 8 | 0:00 | kick, rolling offbeat bass, open hats |
| Verse | 16 | 0:14 | plucked arpeggio over the groove, vocal close |
| Build | 8 | 0:41 | snare roll, filter opens |
| Drop | 16 | 0:55 | supersaw lead plays the hook melody over the full groove |
| Breakdown | 32 | 1:22 | kick and bass out, pads and piano, the hook sung alone, the lead melody stated soft, a long riser at the end |
| Build | 8 | 2:17 | snare roll doubling up, filter sweep, the last line held |
| Drop 2 | 16 | 2:31 | the euphoric lift: full supersaw lead, gated pads, the hook sung over it |
| Outro | 8 | 2:58 | groove strips back to kick and bass |
| End | — | 3:12 | kick stops, the pad rings out |
Lyric headers
[Intro | kick, rolling offbeat bass, open hats] [Verse | groove only, no vocal] [Build | snare roll, filter opens] [Drop | hook over the full groove] [Breakdown | kick and bass out, pads and piano, the hook sung alone, the lead melody stated soft, a long riser at the end] [Build | snare roll doubling up, filter sweep, the last line held] [Drop 2 | hook over the full groove] [Outro | groove strips back to kick and bass] [End | clean ending]
Every header carries a direction after the bar, [Section | how it’s performed]. A bare [Verse] leaves the delivery to chance. The last line, [End | clean ending], is what stops the fade-out and the bonus minute of noodling.
Lyrics
Writing words for rave.
Trance lyrics are a big feeling in few words: one sung hook built on long open vowels the breakdown can hold for a whole bar, and verses of 2 to 4 short lines with one concrete image each. The breakdown is where the voice is alone, so its line carries the song's whole want in plain words; the lift after it repeats the hook word for word. Eurodance swaps in a short rapped verse of punchy rhyming lines answered by the sung hook, simple English a crowd can shout back. Rave and hyper techno use one chanted phrase, repeated. Echoes go in parentheses.
Keep verse lines to about 9 syllables and hook lines to about 7. Longer lines get rushed or swallowed; our lyric checker counts them for you.
Phrases that make it sound generated
- lose control
- lose myself
- losing control
- feel the beat
- feel the music
- feel the rhythm
- hands up
- hands in the air
- all night long
- move your body
- take me higher
- on the dance floor
Every one of these turns up in thousands of AI songs. Swap each for the specific thing it stands in for: a place, an object, what someone actually said.
Borrowing
Use rave as an influence.
Want a touch of rave in another genre? Don’t put “rave” in the lead tag of a different song: Suno will switch genres. Borrow one part and say where it goes:
- hoover synth stabs in the final drop
- a pitched-up diva vocal sample over the build
- piano rave stabs under the chorus
Pairs well with rave
Get the whole rave package.
This page is the starting point. Session Sheet writes the full song for your idea — Styles in your own sound, cued lyrics, Exclude and the settings card — and checks every line before you paste.
Start free